Category Archives: Musicology

Murder Ballad of the Week, 4/27/15: Frankie Silver

Another murder ballad with lots of oral tradition behind it, linked below the video as usual.

The story involves ax murder and dismemberment of Charlie (Johnny) Silver by his wife Frankie, and subsequent burning of the body parts to destroy the evidence.

Frankie was hanged for her alleged crime.

Bobby McMillon’s interview: The Uncut Story of Frankie Silver

Epilogue to the Ballad of Frankie Silver

More about the Legend of Frankie Silver pt 1
More about the Legend of Frankie Silver pt 2

There’s a movement to have Frankie pardoned: Frankie & Charlie (Put a Stop to it)

Delarcos, Denizens of Washington, and The Godz – Galaxy Hut 2015-04-20

Another fun Delarcos show, my third so far. I was on the fence about going to this one, being a Monday night, and still tired from a weekend of boat maintenance and not enough sleep, but knowing The Godz were playing pulled me off of the fence, and I mustered everything I had left and pulled it off.

Delarcos did not disappoint at all! I think my favorite is still Industry Night, but some of the others are gaining, esp. Tom’s River and That Girlfriend. I can’t explain exactly what I like about Delarcos (besides the lyrics!), but I can try and contrast it within the context of last night’s show to give some idea.

Delarcos lyrics, by the way, can be found at http://www.mindspring.com/~notionsunlimited/band/delarcos.html

Denizens of Washington did a good job at what they do. They give you a plate of easily-identifiable food in a predictable manner, and deliver it solidly, along with a lot of ex-wife jokes. I was really digging the tone of the bass. I don’t think they quite had enough volume to get the full feel of what they do, especially during the one song that highlighted the drummer’s vocals, and especially after the Delarcos.

In contrast, Delarcos give you some kind of weird food that kind of reminds you of something you had as a kid, in a weird wrapper. And then you remember you liked it. Even though it’s not the same thing it was back then, it’s still pretty fucking tasty, and you can’t explain exactly why. You just want to tell your friends they should try this, and maybe they can explain it better.

All metaphorically, of course — the bands weren’t really giving out food. Actually there seemed to be a lot of what looked like grilled cheese sandwiches and tater tots moving around the room, but I had already eaten. GREAT BEER SELECTION AT GALAXY HUT. I started with a Starr Hill double and finished with a Fair Winds.

Last up was The Godz.  When I read about them prior to the show, I knew I was in for something unique, and that’s always what I’m looking for.  Unique, and authentic. They’re a psych-garage-freak-whatever band from the 60s. How it happened that they were playing at a tiny dive bar, capacity 66, with Delarcos and Denizens, I’ll leave to the reader’s imagination. But I for one am grateful.

The vocalist started the show by saying, “I’m old, and it’s past my bedtime.” Guess he’s right, if he was doing this shit in the mid-late 60s. And he validated that by one of songs midway through, “Dead and Gone” (you can listen at https://www.youtube.com/watch?v=XZuwWErcBKE), which he dedicated to everyone that’s passed away, and everyone that’s going to pass away, which is pretty much everyone.

He also made a couple of references to ex-wives, but I kind of got the feeling that his experiences with ex-wives were somehow different from those of the Denizens. I could explain, but then people might think I’m sensitive. He just seemed, maybe warmer, maybe more open.

The bass player — I love his energy. Ever seen that video of the drummer who’s called out for “playing a different show” than the rest of the band? The band is going through their routine, and he’s going nuts with energy and showmanship. In a good way, this bassist reminded me of that guy. He moved around a lot, played hard, made excellent faces, and fed energy back to the rest of the band, especially in the last jam. I remember thinking at one point, and this may sound like a completely disrespectful thought, and I’m not even sure where it came from, but “Man. I want to go to his funeral.” Can’t explain, but I swear it comes from a good place.

The trumpet player was great too, really added a lot of texture to the songs.

They ended the night with what seemed to be the most widely-known of their repertoire, “Radar Eyes,” (listen at https://www.youtube.com/watch?v=v9PaX7m9NXw) from at least four decades ago, which gradually morphed into this great acid-tinged jam that really reminded me of some of the best Faust jams from that period.

If you ever get a chance to see The Godz live, DO IT. But make sure it’s THESE guys, not the Godz from Ohio. They’re a very different band.

And you’ll definitely get another chance to see Delarcos. In June, if not before. Follow them at https://www.facebook.com/HoursOfFun4everyone

As always, I hope my writeups don’t offend anyone in any way. I try to focus on what I enjoy, to share these positive experiences with friends, followers and random passers-by. And bands are always welcome to reuse any of my band photos. Normally I have a decent camera with me, last night I only had my phone, so I was a bit limited.

Should I even promote this level of misogyny?

So I was recently exposed to the most horribly misogynist song, and accompanying music video, that I’ve ever seen in my life. And as lots of you know, I’ve seen a LOT of things.

Funny thing is, I wasn’t exposed via the usual channels – pop culture blogs, friends sending it to me, or general trending popularity. It happened on a crime forum. Someone listed it in the forum as it was found on a jailed perpetrator’s social media — in other words, he had been listening to it on Pandora the night before his arrest. He’s jailed for relatively minor offenses, but the consensus seems to be that he might be responsible for something truly heinous.

I’m not even going to link to it, and jeopardize my own social media which feed from this blog. But those of you brave enough and curious enough are welcome to. So I’ll just mention the artist and song title.

Deuce – Let’s Get It Crackin’

The official video is ultra-NSFW and hosted on Vimeo. The lyrics are findable via google as well.

Comments welcome after viewing.

Murder Ballad of the Week, 4/13/15: Tom Dooley

Wikipedia states that this is part of a broader genre of “sweetheart” murder ballads. I’m going to have to go ahead and disagree with that there. In no culture do we murder our sweethearts. Murdering a love interest is a sure sign of pathological narcissism. NOT LOVE.

Here’s Doc Watson’s version.  The oldest recorded version is by Grayson & Whittier in 1929.

There’s also a couple of video documentaries that discuss the story at the root of the song, linked below:

1. The Story of Tom Dooley

2. Terry Helton’s documentary, part 1
    Terry Helton’s documentary, part 2

An Evening with Amanda Fucking Palmer

Love her.  Love her husband. Love imagining the combination baking inside her.

Love the fact that she’s playing with Morrissey for one date this summer.  Kinda wish I could go. Love that she did a cover of his (Please, Please, Please Let Me Get What I Want).

Love the fact that she did a highly relevant Kimya Dawson cover (All I Could Do).

Love the fact that pretty much the first words she said to us were calling us godless for coming out to see her on Easter. Then rambled about a King Missile song about Jesus that she sorta knows (Jesus Was Way Cool – https://www.youtube.com/watch?v=mSfa56tjBQo), then used that to segue into Missed Me, saying, “this is not about Jesus. At All. But what if it was?”

Love that she did old Dresden Dolls stuff. Love that she took requests. Love that she brought highly enthusiastic young helpers from the audience onstage to hold an iphone with lyrics for one she didn’t remember exactly (Dirty Business I think). Loved that one of them kinda got lost dancing to it and had to be reminded to come back and hold the phone.

Love that she did Have to Drive and told the story behind it, how it evolved from the guilt of seeing a dead dog in the road. Personal synchronicity significance there.

Love that she did Runs in the Family and closed with the Ukulele Anthem.

Mostly I loved how much Sophie got into it. You know how teenagers are, it’s so hard to turn them on to anything new, even quality interesting shit, because they’re so into doing their own thing. By the end of the second song, she leaned over to me with a big grin. “I LOVE HER!”

Thanks Amanda, for a wonderful night in Richmond.

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Murder Ballad of the Week, 3/23/15: Where Did You Sleep Last Night

I can certainly respect Kurt Cobain’s choice of Leadbelly as his favorite artist. Leadbelly was one of the first country blues artists that took hold of my soul. Just one listen to Midnight Special, coupled with the knowledge of the roots of that song, and it’s likely to happen to you too.

I journeyed back in 1995 to Leadbelly’s grave, but that’s another story for another time.